The 35 original essays in A Companion to Narrative Theory constitute the best available introduction to this vital and contested field of humanistic enquiry. The essays represent all the major critical approaches to narrative - narratological, rhetorical, feminist, post-structuralist, historicist - and investigate and debate the relations among them. In addition, they stretch t...(展开全部)

The 35 original essays in A Companion to Narrative Theory constitute the best available introduction to this vital and contested field of humanistic enquiry. Comprises 35 original essays written by leading figures in the field Includes contributions from pioneers in the field such as Wayne C. Booth, Seymour Chatman, J. Hillis Miller and Gerald Prince Represents all the major cr...(展开全部)

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: t...(展开全部)

Since its first publication in English in 1985, Mieke Bal's Narratology has become the international classic and comprehensive introduction to the theory of narrative texts. Narratology is a systematic account of narrative techniques, methods, their transmission, and reception, in which Bal distills years of study of the ways in which we understand both literary and non-literar...(展开全部)

霍华德·里萨蒂，弗吉尼亚联邦大学艺术史系当代艺术与批判理论名誉教授，曾任工艺材料研究系主任。其著作包括Skilled Work: American Craft in the Renwick Gallery, Postmodern Perspectives: Issues in Contemporary Art。 译者简介 陈勇，历史学博士、助理研究员，现供职于南京大学人文社会科学高级研究院。

霍华德·里萨蒂，弗吉尼亚联邦大学艺术史系当代艺术与批判理论名誉教授，曾任工艺材料研究系主任。其著作包括Skilled Work: American Craft in the Renwick Gallery, Postmodern Perspectives: Issues in Contemporary Art。 译者简介 陈勇，历史学博士、助理研究员，现供职于南京大学人文社会科学高级研究院。

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: t...(展开全部)